Biography



Abel Korinsky (*1985)
studied Music, German language and literature, social sciences and history in Wuppertal and completed with Master in Sound Studies at UdK Berlin.

Carlo Korinsky (*1985)
studied Music, German language and literature, social sciences and history in Wuppertal and completed with Master in Sound Studies at UdK Berlin.


Awards
& Scholarships



2019

MMCA Residency Changdong (South Korea)

be mobile-create together program with arthereistanbul (Turkey)  led by the French Institute in Turkey, the Embassy of the Netherlands in Ankara, the Goethe-Institut and the Istanbul Foundation for Culture and Arts (İKSV) and is co-funded by the European Union and the Republic of Turkey.

2018

Arts Residency Programme "Digital Arts and Public Space", Goethe Institut Kigali and Rwanda Arts Initiative (Rwanda)

2016

Artist in Residency at Seoul Art Space Geumcheon, Seoul (South Korea) 

2015 

Kooshk Award, Tehran (Iran)

2014

EMARE scholarship Australia (European Media Artist in Residence Exchange) (Australia)

Mercedes-Benz Kunst Award 2014

2013

Young European Artist Trieste Contemporanea Award (Italy)

2012

sponsored by Federal Department of Commerce and Technology as well as the European Union
awarded as Kultur- und Kreativpilot Deutschland

2011

Erasmus scholarship Sound Art City Spaces (S.A.C.S.)


Exhibitions & Projects



Upcoming in 2019

be mobile-create together with arthereistanbul (Turkey)

HerMap, Palais des Beaux-Arts de Bruxelles/Goethe Institute (Belgium/Tehran)

The Field (in cooperation with Sujin Seo), MMCA  Changdong, Seoul (South Korea)

Oil Tank Culture Park Global Week (in cooperation with Julia Carrillo), Seoul (South Korea)

Space21 (Iraq)

2019


ATMOS, at Tophane-i Amire Kültür ve Sanat Merkezi (in cooperation with Hochschule Coburg (Prof. Mark Phillips) and Mmar Sinan University Istanbul (Prof. Osman Arayici) (Turkey)

Radiance (in cooperation with Dune Dance Company), premiered inAdriana Budevska Thetre, Burgas and performed at Age of Aquarius festival and at Act free theatre festival, Sofia (Bulgaria)

Nkabom, Accra (Ghana) - with financial support of Goethe Institut

Contact+, work in progress, Chișinău (Moldova)

Water festival, Burgas (Bulgaria)

Tripicon, Sterna Art Project 2019, Nisyros (Greece)

D.P, Space 21 Exhibition for Sound Art, Erbil, Sulayminiyah, Dhuk (Iraq)


2018 


Never stop, New School for Architecture and Built Environment at Nyarugenge Campus of the University of Rwanda, Kigali (Rwanda)

boda-D water, contemporary art festival, Bourgas (Bulgaria)

molanium (Performance with Ali Phi), Grace Cathedral, San Francisco (USA)

moln-un, Grace Cathedral, San Francisco (USA)

Odem, Installation at Multihalle Mannheim (Germany)

Construction Festival, Art Museum Dnipro (Ukraine)

2017


Schnittstellen, Solo Exhibition, GASAG Kunstraum, Berlin
Volum IV, Schinkelsche Bauakademie, Berlin (Germany)

2016

TADAEX Festival, Tehran (Iran)

Volum III, Wasserspeicher Prenzlauer Berg, Berlin (Germany)

Die Blaue Nacht, Nuremberg (Germany)

Depth & Nuance, Unofficial Preview Gallery, Seoul (South Korea)

2015

Volum add Kestner, Kestnergesellschaft, Hannover (Germany)

.move ON, Werkleitz Festival, Halle (Saale) (Germany)
 
X Platform #2, WASP – Working Art Space and Production, Bucharest (Romania)

Experimenta Recharge National Tour, Brisbane (Australia),

ISEA, Vancouver (Canada)

Mohsen Gallery, Tehran (Iran)

2014


Connecting at this time, this place (Performance with
Brooke Stamp), Melbourne (Australia)

Experimenta Biennial, Melbourne (Australia)

ISEA, Dubai (United Arab Emirates)

10. Internationale Stuttgarter Stimmtage, Stuttgart (Germany)

Volum, Berliner Dom, Berlin (Germany)

BummBumm Ultraposition, Lehrter Siebzehn Projectspace, Berlin (Germany)

Inter Spaces, Trieste Contemporanea, Trieste (Italy)

Sonorous Matters, FAK, Münster (Germany)

Mica, Strzelski Galerie, Stuttgart (Germany)


2013


3845 m/s, Kraftwerk Mitte, Berlin  (Germany)

2012


Digi.flat 90-12, Ars Electronica, Linz (Austria)

Urban Sound Gardening, Architekturmuseum, Berlin  (Germany)

Sounding Facade, Max-Schmeling-Halle, Berlin (Germany)

Atze Jukebox, Atze Musik Theater, Berlin (Germany)

Klangrelief No. 2, Hörkunstfestival Nuremberg (Germany)

Dripping, Stattbad Wedding, Berlin (Germany)

2011


Love & Hate Wuppertal, Neuer Kunstverein, Wuppertal (Germany)

long bet one, HAU, Berlin (Germany)

Störgeräusche, Hebebühne e.V., Wuppertal (Germany)

Hallstudie, acousmain, Frankfurt (Germany)

2010



Crack* Kommunale Galerie, Berlin (Germany)


Lectures



2019

Unification at Mimar Sinan University Istanbul (Turkey)

Artist Talk/ MMCA Seoul (South Korea)

Lecture at Istanbul Biennial Work and Research Programme (Turkey)

2018

Construction Festival Dnipro (Ukraine)

Goethe Institut Kigali (Rwanda)

2017


Die ästhetische Wahrnehmung von Architektur durch Klang. Urbanität. Aktuelle Probleme der Kunstpädagogik. Internationale Tagung des BdK an der Kunstakademie Düsseldorf (Germany)

2016


About the Sensual experience of Architecture, Sound/Image Colloquium, University of Greenwich (UK)

TADAEX Festival Mohsen Gallery, Tehran (Iran)

New Markets and Fields of Work in the Music Industry, Kreativ Kultur Berlin, Pop-Kultur Festival, Berlin (Germany)

Seoul Art Space GEUMCHEON (SASG), Seoul (South Korea)

2015

Format:Innensichten – Arts meet Technology, Kompetenzzentrum Kultur- und Kreativwirtschaft des Bundes, Berlin (Germany)

2014


Big Bang Sounds, Dr. Katie Mack in conversation with Abel Korinsky, Melbourne Knowledge Week, RMIT Gallery, Melbourne (Australia)  

Format:Bühne – Musik in unerwarteten Gefühlen, Kompetenzzentrum Kultur- und Kreativwirtschaft des Bundes, Reeperbahn Festival, Hamburg (Germany)

Rybon Art Center, Tehran (Iran)

Querschnitt, Muthesius-Hochschule, Kiel (Germany)

Trieste Contemporanea, Trieste (Italy)

FAK.14, Münste (Germany)

2013

International Scenography Biennial, Ludwigsburg  (Germany)


Teaching



2019


Mimar Sinan University of fine Arts Istanbul

2014/2016/2017


University of applied sciences, Konstanz (HTWG Konstanz), Department of Architecture and Design


Select Bibliography, Texts & Interviews


2018
Max, Abel und Carlo Korinsky: Die ästhetische Wahrnehmung von Architektur durch Klang. In: Bering, Kunibert und Niehoff, Rolf (Eds.): Urbanität. Problemfelder der Kunstpädagogik. Oberhausen 2018.

Roth, Alexander J.: HEARING ROOMS. Blogarticle on lücke Blog. 2018.(click here to open the article)   

2017

polis – Magazin für Urban Development. Flow. Spielräume des Kreativen: "In unsichtbaren Räumen. Über das Hören in der Architektur", 2017. ISSN 0938-3689

2016


Bento Magazin: "Wir wollen nicht berühmt werden": Wovon junge Musiker wirklich träumen. Leister, Annika, 2016. (click here to open the article)

2015


Mapping Residencies. Cámara, Raquel and Velasco, Marta (Eds.), Madrid, 2015. ISSN 2340-8901

2014 

Experimenta Recharge. Catalogue for Experimenta Recharge: 6th International Biennial of Media Art. Melbourne 2014. ISBN 978-0-9925545-0-7

Die Eroberer. Und das Flußbad-Projekt. Dih, Denise und Günther, Katrin (Eds.), Rosenheim, 2014. ISBN 978-3-944025-12-4

Korinsky SONOROUS MATTERS,
Ausstellungskatalog zum Jahresprogramm FAK.14, Münster 2014. ISBN 978-3-00-047994-6

ISEA 2014 Location, catalogue
Inter Spaces – Johanna Binder / Abel, Carlo and Max Korinsky, Trieste Contemporanea, catalogue. Edited by Giuliana Carbi Jesurun, Texts by Daniele Capra and Georgios Paroglou. ISBN 978-88-903025-3-4, catalogue

Plot #10, Die Macht des Klangs, 2014. ISBN 978-3-89986-153-2, magazine


2013

International Scenography Biennial, The Art of Holistic Design, catalogue
ABA Yearbook 2012/2013, edited by Kai Bronner, Rainer Hirt, Cornelius Ringe. Abel, Carlo & Max Korinsky: Sounding Façades. Essay. ISBN 978-3-8329-7878-5
 


2012

waldsteinwasserbauen, catalogue for the exhibition by Katrin Günther, edited by Architekturmuseum der Technischen Universität Berlin. Essay about Korinsky's installation „Urban Sound Gardening“. ISBN 978-3-7983-2449-7

The big picture. Weltbilder für die Zukunft. Ars Electronica 2012. Festival für Kunst, Technologie und Gesellschaft. Catalogue edited by Hannes Leopoldseder, Gerfried Stocker & Christine Schöpf. ISBN 978-3-7757-3434-9